There is really no such thing as Art. There are only artists. --- E. H. Gombrich
Friday, July 4, 2014
Thursday, June 19, 2014
Thursday, June 12, 2014
Diving Into Water
After drawing in black and white for two months, the
students are asking for color. I decided to let them paint with watercolor
instead of drawing with colored pencil, for even the most expensive colored
pencil do not match the pigment concentration of watercolor, therefore, the
color of colored pencil will never be as exuberant as watercolor. Watercolor is
the most difficult painting medium. It is unpredictable, and there is no
correction can be made once the paint is on paper, because of this, however, it
makes watercolor painting an exciting adventure. Each art medium is like a
different instrument. It takes a long time to master the tool.
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| Herbert Wang, 11 |
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| Max Peng, 13 |
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| Michael Tu, 10 |
Saturday, May 31, 2014
Your Room, Your World
A few days ago a violin student of mine showed me a gouache painting that she did of Grand Canyon. She has never been to the Canyon. She painted her picture from a photo. To me that is not the purpose of making art. We make art to show our own world, to express our own feelings, and to reflect things that have personal meanings to us. I had the students drawing a corner of the room today. I hope that they will draw their own rooms, like van Gogh, a simple painting of a corner of his room that have touched so many hearts.
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| Lily Song, 8 |
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| Herbert Wang, 11 |
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| Max, Peng, 13 |
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| Michael Tu, 10 |
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| van Gogh |
Saturday, May 24, 2014
Saturday, May 10, 2014
Hard to Go Slow; Hard to Go Fast
Thread Drawing by Jin Zhang
The weather is nice. Although the students have been drawing for only one month, I thought I must prepare them for outdoor sketching. So I introduced thread drawing technique today, which is to use fast continuous moving lines like a long thread to draw quickly. To my surprise this technique seems to be more difficult for the students to grasp. I thought it was hard for the mind to go slow; apparently it is equally hard for the mind to give up control and let the eye and the hand go fast. So for this week’s gallery you are seeing more contour drawing of shoes. I am sure I will have some thread drawings from the students to show after they practice for a week.
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| Herbert Wang, 11 |
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| Melisa Li, 12 |
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| Michael Tu, 10 |
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| Max Peng, 13 |
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| Lily Song, 8 |
Saturday, May 3, 2014
Slowing Down the Mind: Drawing Objects with Complicated Shapes and Lines
I introduced objects with more complicated shapes and lines
to the class today. The difficulty to draw such objects is not associated with
the eye but with the mind. It requires the mind to go as slow as snails crawling,
which proves to be itchingly difficult. The eye sees everything if time is
given. But the mind, the impatient bully, never gives the eye enough time.
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| Lily Song, 8 |
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| Herbert Wang, 11 |
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| Melisa Li, 12 |
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| Max Peng, 13 |
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| Michael Wang, 10 |
Friday, May 2, 2014
500 Sheets of Paper: The Start of A Drawing Life
The spring of 1985 I entered the second semester of my
freshman year in college. Besides my music classes I took Art History 101: From
Giotto to Renaissance. Other than the textbook the professor only assigned us one
book to read, The Lives of the Artists
by Giorgio Vasari written in 1549. In the preface Vasari expressed his view of
artists as divine genius. I felt doomed on becoming an artist. I was clearly
not endowed with this divine talent. But as I read on I started having hopes. When
Vasari talked about Giotto’s teacher, the hard working young Cimabue, he said, “.
. . [the] continuous practice so greatly enhanced his natural talent. .
. .” As a person who started the
violin at age 5, I understood this so well. I am never lazy with practice. I
know that if my middle name is not Amadeus, I must practice hard to call on
divine notice, and the moments often come. Three weeks ago I gave each student 500
sheets of newsprints for them to start their drawing life. They have all made
their permanent drawing corner at home. The point of taking drawing class is
not for them to draw in my studio but for them to draw in their own studio for
a life time.
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| Herbert Wang, 11 |
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| Lily Song, 8 |
| Max Peng, 13 |
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| Michael Tu, 10 |
| Melisa Li, 12 |
Sunday, April 27, 2014
How Real is Real: Three-Tone Value Drawing
In the contemporary art world all you hear about is how an
art work served as social, political, or cultural criticism. In a children’s
drawing class, however, they have only one simple desire, which is to draw the
likeness of an object. It amuses the right-brain when the eye is tricked to see
a 3-dimensional object “stands” on a 2-dimensional surface. It looks real, they
say. But how real is real? After all this is drawing not photography. In the
beginning a 3-tone value rendering is sufficient to create the illusion of an object, yes, that looks real.
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| Herbert Wang, 11 |
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| Max peng, 13 |
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| Michael Tu, 10 |
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| Melisa Li, 12 |
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| Lily Song, 8 |
Saturday, April 26, 2014
1+1=2: Multiple Objects Contour Drawing
In the summer of 1985 I spent five weeks in Italy playing in the Spolteto
Music Festival near Rome. On days without concerts I roamed up and down Italy
visiting museums and churches to see the great art works which I had just studied
in my art history class. At Sistine Chapel in Vatican I was stunned by
Michelangelo’s breathtaking mural, the Last Judgment. He painted hundreds of
figures on the entire altar wall. But as an artist I know that there is no
secret to it. The hundreds of figures was painted on the wall one by one. A picture
of complexity is just many single objects put together, simple as that.
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| Melisa Li, 12 |
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| Michael Tu, 10 |
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| Herbert Wang, 11 |
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| Lily Song, 8 |
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| That's me in Rome in 1985. Italy is a country of living art history. |
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